I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
I am always looking out for talented young writers and this debut really struck me for its narrator’s very distinctive voice, both stylish and sad. An Indian Catcher in the Ryebut with a protagonist more hampered by family and circumstances, capable of greater angst, and looking for authenticity in the strangest and loneliest of places.
"And then finally I felt sadness, aided perhaps by those futile notes, by the dust that keeps thickening, by the untouchable past, the inevitable future, and by everything else that pushes us around."
Ib lives with his schizophrenic father and his "nice" mother negotiating life, not knowing what to do, steered by uncaring winds and pushy people. From his slimy, unmiraculous birth to the tragic death of a loved one, Ib wanders the city, from one thing to another, confused, lost, and alone, all the while reflecting on his predicament. He is searching for something - what he does not…
Crimes again women are discussedad nauseam in the media but this was the first time I read a novel that made the subject painfully uncomfortable for me by telling the story not in the voice of the victim but through the reflections of a witness who probes everyone’s culpability, including her own. This powerful debut shines a very revealing light on what it means to be a comfortably middle-class Indian.
‘In Mukta Sathe we have a new voice that displays a deep understanding of both the old and the young, of their complex relationships, and of how crime and punishment play out under our flawed judicial system. A Patchwork Family is a novel that I found difficult to put down.’ —Shanta Gokhale, author, columnist and translator
Young and idealistic, Janaki is eager to serve the cause of justice as a lawyer. Her only confidant is Ajoba, an elderly friend of her grandfather’s, who supported her throughout her childhood. They are unrelated by blood or marriage ties, but they have both…
A most affecting historical novel set in 19th century Assam as the British colonialists sought to push deeper into the country. I’ve read so many accounts of the early encounters between native and foreigner but what makes this one rare is Blackburn’s careful and tender individualising of his characters so that they can both be ranged against each other and yet in some human and mysterious and ultimately tragic way also be friends.
As the British Raj begins its expansion towards Tibet, the remote Apatani valley on the Indo-Tibetan border becomes a flashpoint. George Taylor, an up-and-coming officer in the Indian Civil Service, leads the first expedition into the valley and recommends setting
up a base nearby, as the Apatanis are a ‘friendly tribe’. During the expedition, a tenuous bond is established between him and Gyati,
the Apatani shaman who has long been anxious about the halyang outsiders creeping closer and closer to the ordered world of the valley. But this bond cannot survive. The increased British presence and
This is a marvellous novel about an area in the foothills of the eastern Himalayas that is not far from where I grew up. It’s a story about people and nature, how the relationship is at once very elemental for those who live off the land, as well as very convoluted and destructive because it’s driven by greed, politics, and fear. The narrator is a visitor to the region, looking to solve a mystery from his past, and this device of the curious outsider looking in works really well to make the whole place come to life.
Description Shaken by the news of his mother’s death, a man leaves his job in Delhi and returns to Assam. Twenty-five years ago, his father, a forest officer here, was found shot dead in his jeep. With the passing of his mother, the man learns new and startling details of his father’s life, and trying to reclaim an entire life suddenly made unfamiliar, he starts digging into events from far back in time, visiting places where his father had served, in the foothills of the eastern Himalayas. But the forests he had once roamed as a boy with his father…
This slim novel I read in one sitting not because, in the way of conventional thrillers, one hopes for a decent resolution, but because the story is so devastating. Its very hopelessness somehow pulls one in. Pandey has written a very gentle account of the very brutal forces ranged against one couple who have committed what can be a crime in modern India – marrying outside one’s caste and religion.
This is like Kafka in Deoria. Or Camus in the cow belt. But more accurate to say that Legal Fiction is an urgent, literary report about how truth goes missing in our land. I read it with a racing heart.
-- Amitava Kumar, author of The Lovers
Chandan Pandey goes looking for the story that lurks just out of sight, getting under the skin of news headlines and extracting a story that is as compelling as it is devastating.
-- Annie Zaidi, author of Prelude to a Riot
Chandan Pandey has written a brilliant, gripping political novel. Legal Fiction is…
Qayenaat is a drifting, sensitive figure at the edge of the Bangalore art scene. When world-famous artist Baban Reddy, once a young man who hung on her every word, returns to the city to exhibit his latest artwork, all her old longings rise to the surface. Baban’s arrival accompanies other seemingly momentous events and sets Qayenaat off on the most unexpected journey of her life – to the heart of rural, war-torn India. The Cosmopolitans is a novel of ideas and emotions – one that questions the place of art in modern life, and draws a vivid portrait of a woman at odds with the world.
I once saw a play at the renowned Oregon Shakespeare Theatre. A play about Sor Juana. It was a good play, but it felt like something was missing like jalapenos left out of enchiladas. The play kept nudging me to look further to find Sor Juana, and so for the next five years, I did so. I read and read more. I listened for her voice, and that is where I heard her life come alive. This isn’t the only possibility for Sor Juana’s life; it is just the one I heard.
Sor Juana Ines de la Cruz, this brilliant 17th century nun flew through Mexico City on the breeze of poetry and philosophy. She met with princes of the Church, and with the royalty of Spain and Mexico. Then she met a stunning, powerful woman with lavender eyes, la Vicereine Maria Louisa, and her life changed forever. As her fame grew, she dared to challenge the diabolical Archbishop once too often, and he threw her in front of the Inquisition, where she stood, alone.
Sor Juana's work is studied still today, and justifiably so. Scholars study her months on end; mystics…
This astonishingly brilliant 17th century poet and dramatist, this nun, flew through Mexico City on wings of inspiration. Having no dowry, she chose the life of a nun so that she might learn, so that she might write, so that she might meet the most fascinating people of the western world. She accomplished all of that, and more.
One day a woman with violet eyes, eyes the color of passion flowers, entered her life. It was the new Vicereine, Maria Luisa. As the two most powerful women in Mexico City, the bond between them crossed politics and wound them in…
